Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Pierre-Auguste Renoir
Gril in the black

ID: 50624

Pierre-Auguste Renoir Gril in the black
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Pierre-Auguste Renoir Gril in the black


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Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.   Related Paintings of Pierre-Auguste Renoir :. | Portrait of Jean-Frederic Bazille | Camille Monet and Her son Jean in the Garden at Arenteuil | Madame Monet auf dem Divan | Landschaft bei Cagnes | Portrat der Alphonsine Fournaise |
Related Artists:
Christoph jacobsz.van der Lamen
Flemish , Antwerp circa 1606-circa 1651
jonathan miller
(born July 21, 1934, London, Eng.) British director, writer, and actor. After earning a medical degree at Cambridge University, he made his professional stage debut at the Edinburgh Festival in the hit satirical revue Beyond the Fringe (1960).
eduard hanslick
German music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time.






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